Sunday, March 8, 2009

Women's Day Poet - Sarojini Naidu (1879-1949)

Biography of Sarojini Naidu
----------------------------

Sarojinidevi was a great patriot, politician, orator and administrator, of all the famous women of India, Mrs. Sarojinidevi Naidu's name is at the top. Not only that, but she was truly one of the jewels of the world. Being one of the most famous heroines of the 20th century, her birthday is celebrated as "Women's Day"

She was born on February 13, 1879 in Hyderabad. Her father, Dr. Aghornath Chattopadhyaya, was the founder of Nizam College of Hyderabad and a scientist. Her mother, Mrs. Varasundari, was a Bengali poetess. Sarojinidevi inherited qualities from both her father and mother.

Young Sarojini was a very bright and proud girl. Her father aspired for her to become a mathematician or scientist, but she loved poetry from a very early age. Once she was working on an algebra problem, and when she couldn't find the solution she decided to take a break, and in the same book she wrote her first inspired poetry. She got so enthused by this that she wrote "The Lady of the Lake", a poem 1300 lines long. When her father saw that she was more interested in poetry than mathematics or science, he decided to encourage her. With her father's support, she wrote the play "Maher Muneer" in the Persian language. Dr. Chattopadhyaya distributed some copies among his friends and sent one copy to the Nawab of Hyderabad. Reading a beautiful play written by a young girl, the Nizam was very impressed. The college gave her a scholarship to study abroad. At the age of 16 she got admitted to King's College of England. There she met famous laureates of the time.

During her stay in England, Sarojini met Dr. Govind Naidu from southern India. After finishing her studies at the age of 19, she got married to him during the time when inter-caste marriages were not allowed. Her father was a progressive thinking person, and he did not care what others said. Her marriage was a very happy one.

Her major contribution was also in the field of poetry. Her poetry had beautiful words that could also be sung. Soon she got recognition as the "Bul Bule Hind" when her collection of poems was published in 1905 under the title Golden Threshold. After that, she published two other collections of poems--The Bird of Time and The Broken Wings. In 1918, Feast of Youth was published. Later, The Magic Tree, The Wizard Mask and A Treasury of Poems were published. Mahashree Arvind, Rabindranath Tagore and Jawaharlal Nehru were among the thousands of admirers of her work. Her poems had English words, but an Indian soul.

One day she met Shree Gopal Krishna Gokhale. He said to her to use her poetry and her beautiful words to rejuvenate the spirit of Independence in the hearts of villagers. He asked her to use her talent to free Mother India.
Then in 1916, she met Mahatma Gandhi, and she totally directed her energy to the fight for freedom. She would roam around the country like a general of the army and pour enthusiasm among the hearts of Indians. The independence of India became the heart and soul of her work.

She was responsible for awakening the women of India. She brought them out of the kitchen. She traveled from state to state, city after city and asked for the rights of the women. She re-established self-esteem within the women of India.

In 1925, she chaired the summit of Congress in Kanpur. In 1928, she came to the USA with the message of the non-violence movement from Gandhiji. When in 1930, Gandhiji was arrested for a protest, she took the helms of his movement. In 1931, she participated in the Round Table Summit, along with Gandhiji and Pundit Malaviyaji. In 1942, she was arrested during the "Quit India" protest and stayed in jail for 21 months with Gandhiji.
After independence she became the Governor of Uttar Pradesh. She was the first woman governor in India.

She died on March 2, 1949. ..


HER POEMS:

1. Autumn Song


Like a joy on the heart of a sorrow,
The sunset hangs on a cloud;
A golden storm of glittering sheaves,
Of fair and frail and fluttering leaves,
The wild wind blows in a cloud.

Hark to a voice that is calling
To my heart in the voice of the wind:
My heart is weary and sad and alone,
For its dreams like the fluttering leaves have gone,
And why should I stay behind?

Sarojini Naidu



2. An Indian Love Song


He

Lift up the veils that darken the delicate moon
of thy glory and grace,
Withhold not, O love, from the night
of my longing the joy of thy luminous face,
Give me a spear of the scented keora
guarding thy pinioned curls,
Or a silken thread from the fringes
that trouble the dream of thy glimmering pearls;
Faint grows my soul with thy tresses' perfume
and the song of thy anklets' caprice,
Revive me, I pray, with the magical nectar
that dwells in the flower of thy kiss.

She

How shall I yield to the voice of thy pleading,
how shall I grant thy prayer,
Or give thee a rose-red silken tassel,
a scented leaf from my hair?
Or fling in the flame of thy heart's desire the veils that cover my face,
Profane the law of my father's creed for a foe
of my father's race?
Thy kinsmen have broken our sacred altars and slaughtered our sacred kine,
The feud of old faiths and the blood of old battles sever thy people and mine.

He

What are the sins of my race, Beloved,
what are my people to thee?
And what are thy shrines, and kine and kindred,
what are thy gods to me?
Love recks not of feuds and bitter follies,
of stranger, comrade or kin,
Alike in his ear sound the temple bells
and the cry of the muezzin.
For Love shall cancel the ancient wrong
and conquer the ancient rage,
Redeem with his tears the memoried sorrow
that sullied a bygone age.

Sarojini Naidu

3. A Rajput Love Song

Parvati at her lattice)
O Love! were you a basil-wreath to twine
among my tresses,
A jewelled clasp of shining gold to bind around my sleeve,
O Love! were you the keora's soul that haunts
my silken raiment,
A bright, vermilion tassel in the girdles that I weave;

O Love! were you the scented fan
that lies upon my pillow,
A sandal lute, or silver lamp that burns before my shrine,
Why should I fear the jealous dawn
that spreads with cruel laughter,
Sad veils of separation between your face and mine?

Haste, O wild-bee hours, to the gardens of the sun set!
Fly, wild-parrot day, to the orchards of the west!
Come, O tender night, with your sweet,
consoling darkness,
And bring me my Beloved to the shelter of my breast!

(Amar Singh in the saddle)
O Love! were you the hooded hawk upon my hand
that flutters,
Its collar-band of gleaming bells atinkle as I ride,
O Love! were you a turban-spray or
floating heron-feather,
The radiant, swift, unconquered sword
that swingeth at my side;

O Love! were you a shield against the
arrows of my foemen,
An amulet of jade against the perils of the way,
How should the drum-beats of the dawn
divide me from your bosom,
Or the union of the midnight be ended with the day?

Haste, O wild-deer hours, to the meadows of the sunset!
Fly, wild stallion day, to the pastures of the west!
Come, O tranquil night, with your soft,
consenting darkness,
And bear me to the fragrance of my Beloved's breast!

Sarojini Naidu

No comments: